She has lost contact with her twin brother, Sebastian, whom she believes to be drowned. With the aid of the Captain, she disguises herself as a young man under the name Cesario, and enters the service of Duke Orsino. Duke Orsino has convinced himself that he is in love with Olivia, who is mourning the recent deaths of her father and brother. She refuses to see entertainments, be in the company of men, or accept love or marriage proposals from anyone, the Duke included, until seven years have passed.
Indeed, Shakespeare may have written the play earlier and revised it for the Christmas festival, for it contains many Twelfth night analysis essay of revision. The tone of Twelfth Night is consistently appropriate to high merriment. With nine comedies behind him when he wrote it, Shakespeare was at the height of his comic powers and in an exalted mood to which he never returned.
Twelfth Night recombines many elements and devices from earlier plays—particularly The Two Gentlemen of Verona c. However, the sadnesses are, for the most part, those mannered sadnesses that the Elizabethans savored.
Orsino, for example, particularly revels in a sweet melancholy reminiscent of that which afflicts Antonio at the beginning of The Merchant of Venice pr.
Orsino revels in the longings of love and in the bittersweet satiety of his romantic self-indulgence. He is in love with love. On the other side of the city is the household of Olivia, which balances Orsino and his establishment.
The point of contact between Orsino and Olivia—ferrying back and forth between the two—is Viola. As Cesario, she also is sad, but her sadness, like the rest of her behavior, is more direct and human. She seems destined to unite the two melancholy dreamers, but what the play instead accomplishes is that Viola, in her own person and in that of her alter ego, her brother, becomes part of both households.
The ultimate outcome is a glorious resolution. It is, of course, immaterial to the dreamy Orsino that he gets Viola instead of Olivia—the romantic emotion is more important to him than is the specific person.
Olivia, already drawn out of her seclusion by the disguised Viola, gets what is even better for her, Sebastian. Moreover, the drama is suffused with bittersweet music, and the idyllic setting in Illyria blends with language and imagery to create a most delightful atmosphere wholly appropriate to the celebration of love and to the enjoyment of this world.
He is called a Puritan, but although he is not a type, he does betray the characteristics then associated with that austere Anglican sect. He is a self-important, serious-minded person with high ideals who cannot bear the thought of others being happy.
Yet, Shakespeare does not indulge in a satire on Puritanism. He uses the critical powers of comedy in indirect ways.
Malvolio is ridiculous, but so are the cavaliers who surround him. While these characters are flawed, they are certainly more engaging than the inflated Malvolio.
Shakespeare does not set up the contrast as a political allegory, with right on one side and wrong on the other. Nevertheless, Malvolio is an intrusion into the otherwise idyllic world of the play.
He cannot love; his desire for the hand of Olivia is grounded in an earnest will to get ahead. He cannot celebrate; he is too pious and self-involved. Nothing is left for him but to be the butt of a joke—his role in the celebration. Some critics have suggested that Malvolio is treated too harshly, but a Renaissance audience would have understood how ludicrous and indecorous it was for a man of his class to think, even for a moment, of courting Countess Olivia.
His pompous and blustery language is the key to how alien he is to this festive context. When he does his bit, Olivia casually mentions that perhaps he is put upon, but this is the only sympathetic gesture he deserves.Twelfth Night, or What You Will is a comedy by William Shakespeare, believed to have been written around – as a Twelfth Night's entertainment for the close of the Christmas season.
The play centres on the twins Viola and Sebastian, who are separated in a urbanagricultureinitiative.com (who is disguised as Cesario) falls in love with Duke Orsino, who . Suggested Essay Topics.
urbanagricultureinitiative.coms the role of mistaken identity in Twelfth Night. Who is mistaken for whom, and what do these mix-ups signify? urbanagricultureinitiative.coms the role of the explicitly comic characters—Sir Toby, Sir Andrew, Feste, and Maria. Antigone: Theme Analysis, Free Study Guides and book notes including comprehensive chapter analysis, complete summary analysis, author biography information, character profiles, theme analysis, metaphor analysis, and top ten quotes on classic literature.
Published: Thu, 14 Dec William Shakespeare’s Twelfth Night, is a rich comedy delving into the innate human desire for love. Shakespeare uses these characters merely as vessels for a larger insight into society as a whole. Essay on Shakespeare's Twelfth Night - In the play Twelfth Night Viola’s disguise is a prime example of Feste’s line in the play “nothing that/ is so is so” ().
Everything is not as it seems, this is shown through Viola’s disguise as “Cesario” which causes issues of mistaken identities throughout the play.
Apr 26, · Over the course of the past few weeks I’ve contemplated what it means for something to be an adaptation and what makes it an appropriation. Some of the plays transfer the work into a modern setting and yet retain all the dialogue, character interactions and all the little details.